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7 things you probably didn't know about me:



This is a piece I made for last week's Year of Jewellery Challenge at the Australian Beading Forum, the theme of which is, yes you guess it, "Bohemian Rhapsody". I've been playing around with mixed media ATC (Artist Trading Cards) a little lately, and made this ATC a few weeks ago. My hubby thinks she looks like a gypsy. Anyhow, the theme came up, and I thought of the design right away. I wanted to create a piece with an arty Boho mixed media feel. Made a copy of the ATC and turned it into a resin coated cabochon, and beaded around it. I then rummaged through my beady stash looking for things that would go together. I painted some of the bits and pieces with acrylic paints, and also coloured some brass stampings with Gilder's paste. For some reason, it's really difficult to capture the true colours of the piece in the photos - in real life, it is less pink and more bluish purple and a little more subdue. Please click on the photos if you'd like a larger view.

I made this necklace a while ago, but like some of my more elaborate pieces, I had never worn it. Last week, however, we had a fund raising function on one evening after work, and I wanted to promote an event (Art Under the Microscope: Art and Artisan Jewellery Exhibition and Sale) which we're planning to hold in early April next year, so I decided to wear it. I teamed it with a plain black dress, and it looked quite stunning on. Must admit I wasn't used to wearing such a big piece and was feeling a little self conscious, LOL. Anyhow, the function went well, and the necklace had served its function well and attracted lots of attention and comments. I was a bit chuffed really. Technically this is not a difficult piece to do, but I'm quite pleased with the design and colour scheme, and it wears well. It reminds me of the old Russian royals, a princess maybe? The piece is quite sparkly in real life because of all the Swarovski crystals.





Just finished making this necklace with a resin coated cabochon which I made from a copy of my enamel plate Ethan shown in the last post. I feel like I've cloned him, LOL. The original enamel piece was wire wrapped and submitted in a showcase, together with works from a few other members in our lapidary club, to the competition at the annual exhibition of the NSW Lapidary Council (GEMKHANA). I'm happy to say that our club has won first place again this year, and we actually received a perfect score of 100/100 from the judges. We're all so excited! I've made a few more cabs in different sizes so I can play with different ways of beading him up. Please click on the photos if you like a larger view.
Thought I would introduce Ethan to you all - he is Molly's baby nephew (you can find pictures of saucy Molly a few posts back). I did this enamel pendant for our lapidary club showcase, which will be entered into an upcoming lapidary competition. The pendant was made with a piece of copper which I cut out, then applied enamels using various techniques including cloisonne and overglaze painting enamel. It's hard to photograph because of the glassy surface. I have actually turned it into a wire-wrapped pendant and submitted it for the showcase, but I'm not totally happy with how I wrapped it (I ran out of time and was rushing to get it done). Will fiddle with it a bit more and take a photo to show you when I get in back. The pendant is about 5-6cm in length, and just in case you're wondering, the name Ethan came from my little nephew who was born just over a month ago. I love owls and will no doubt make more owl jewellery, hopefully using different techniques and media.




Haven't posted anything for a little while as I and hubby have just returned from a trip to Krakow, Poland. Had a fantastic time there and bought some gorgeous amber beads and cabochons. Will show you some photos later. 

This is a piece I just finished for an Australian competition (the creative challenge category of the Swarovski competition organised by Crystal Park and the Creative Beading Magazine). The rule of this particular category is that the entrants can use only up to 200 Swarovski bicone beads to make a piece, and no other shapes/beads are allowed. I made the leaves and the base of the posy with bronze clay, and assembled the whole piece with wire. The image I have in mind is that of a beautiful fairy wearing this necklace and a shimmering purple dress, walking slowly in a deep, moonlit forest. Initially I had problems picking a name for this piece, and the moon theme was suggested to me by a lovely beady friend Beverly Jane. I have an idea for another piece for the open category of the competition, but it's rather elaborate and I won't have enough time to do it, hence I'm saving the idea for next year. Anyhow, hope you like. (Please click on the pictures if you would like a larger view.)Ever since she was a wee owlet, Molly has always dreamt of becoming a poster girl, those beautiful girls in glamorous shots, with perfectly styled hair, meticulously made up faces, pearly white teeth and slim toned bodies, admired by everyone. But what is a girl to do given life’s circumstances? Molly is, after all, an owl! Well, our Molly didn’t let that deter her. She coloured her feathers, put on her red lipstick, glitzy sun glasses and jewellery, and a flower above her ear, and transformed herself from the owl next door to a glamour queen. She sang, danced and performed, running from auditions to auditions. What she lacked in certain departments, she more than made up for with her talents, attitude, wits and enthusiasm. Today, Molly (affectionately nicknamed “Saucy Molly” by her fans and the tabloid) is not just a poster girl, she is one of the most successful entertainers in the whole owls’ world. To all those aspiring owlets wanting to know the secret of her success, Molly said: “Follow your heart, sweetie, chase your dream, and give it your best shot. Don’t worry about the outcome as long as you’ve done your best, the recognition will come in due course. Be true to yourself, and break free. Remember, you only live once.”
So, here is the poster girl that inspired Molly. The picture is a copy of a vintage Chinese poster which I made into a cabochon with polymer clay, acrylic media and resin (couldn't resist adding a few steampunky bits). Some of the brass stampings were bright golden originally, and I patinaed them with ammonia and a verdigris solution. Added a few vintage buttons. Some of the rounded side pendants were made with a variation of a pattern from the current issue of Beadwork magazine.


I made this pendant quite sometime ago, using various enamel techniques including cloisonne and painting enamels, on a rectangular copper blank. Decided that it didn't really need a fancy setting, so I just wrapped it with gold-filled wire, added a few beads and pearls, and kept the design simple. I used to wear this quite often, but somehow had forgotten about it in the last year or so, until I was looking for something in my jewelry drawers the other day and saw it sitting there (poor thing!). I love the look of wattles but am allergic to them and would sneeze if I get close to one. I have done an oil painting of a wattle with a couple of sparrows in front of it, and it's now hanging in my family room. I also have a floral arrangement on my dining table, with some fake but quite realistic wattles, and dried eucalyptus leaves. Those pearls dangling from the pendant remind me of cherries - one of my favourite fruits, speaking of which, I feel like some cherry ripe chocolate......yum......better go and search the pantry......

The first time I heard of Larimar was about 5 years ago when I went to a local lapidary show. I had just joined a lapidary club then, and I saw these beautiful blue cabochons on sale at the show. One senior member of the club went by and gave me a little education session about Larimar. At the time I was a novice and had no idea how to set stones, but I bought a couple anyway because they're just so pretty. Anyhow, a couple of years ago, I wrapped one with sterling silver wire and added a few tiny pearls, silver beads, and Swarovski beads and stones, and kept it for myself. The pendant reminds me of a princess in a fairy tale, with its delicate colours and sparkles. The colours are closer to real life in the second photo, but the wirework shows up better on the darker background of the first photo. I still have a few cabs in my stash but haven't decided what to do with them.

Finished this pendant necklace a few days ago, and named it "Time Fairy". Some of you may remember a mixed media collage I did recently, with the same name, which I posted on May 14th. I took a picture of it, reduced it in size, printed it out, and turned it into an oblong cabochon using polymer clay and resin. Added bits and pieces and made it into a pendant. It's really difficult to photograph the cab because of its highly reflective surface. In real life, the picture in the cab actually looks a lot clearer, and the piece is also quite sparkly because of all the crystals. The little key at the top of the pendant was bright golden in colour when I bought it, and I used a combination of ammonia and a Verdigris solution to give it this lovely patina, which I'm really pleased with. The style is obviously quite different from my other steampunk pendant "Cheshire Cat", as I wanted to experiment and see which I like better. What do you think? I really enjoy making these and have another design in mind which I will get to when I have time. Again, please click on the pictures for larger views. Hope you like!

Well, as the Bead & Button Show is well on its way and the winners of Bead Dreams 2010 have been announced, I guess I can now post pictures of my entry "Madam Rose", which has been accepted as a finalist in the wirework category of this year's competition. I made the enamel pendant last year, and the story behind the piece was posted in my blog a little while back (see post 3rd August 2009). It took me several months to collect all the stones and beads, and another couple of months to assemble the piece. The necklace was constructed with wire wrapping techniques using sterling silver wire, patinaed with liver of sulphur then polished again. It didn't receive a ribbon in the competition, but I'm happy to have got through as a finalist and had the opportunity to have the piece exhibited at the Bead & Button Show. Just wish I could be there! Please click on the pictures if you'd like a larger view.




Thought I would show you a few silver clay pendants I made ages ago. The first one I did in stages. I made the leaf first, fired it, and thought it looked a little boring, so I added the cubic zirconium. I wore it a couple of times but still wasn't happy with it. Finally added a bug. Someone once asked me if I coated a real bug with silver clay paste then fired it to make the pendant - eeeewwww, no way! I'm happy to say that the bug was made with wire and lump clay, and no insects were injured or killed in the process. The cabochons in the second and third pendants (rhodonite and snowflake obsidian respectively) were cut by me from roughs, and I'm quite proud of how nicely they're polished. These days I rarely cut stones as it is rather time consuming, and I rather spend my time making the actual jewelry. The silver clay roses and the snake were moulded/hand carved by me too. Hope you like them.