Sunday, December 25, 2011

Celina - A necklace inspired by my scrap fabrics treasure

My husband and I went to Hong Kong and China a couple of months ago for a holiday. While I was there, my best friend Celine took me to a tailor in Shenzhen, to have some clothes made. As she's a regular customer, I thought I would ask the tailor if I could have some scrap fabrics that he didn't want, and to my surprise, he gave me two big bags full of beautiful remnants! The pieces were only small, but their colours, patterns and textures were absolutely stunning. I came home feeling totally inspired. I picked a piece of lavender lace (the one in the top right hand corner of the last photo), teamed it with a resin coated polymer clay cabochon which I painted a little while ago, added some bits and pieces including a couple of fabric flowers and brass stampings from B'sue Boutiques, and turned it into a Gothic style necklace. The brass leaves and purple flower were coloured with acrylics and Gilders paste. I decided to name the piece Celina, after Celine who led me to this fabulous scrap fabrics treasure hunt. I'll no doubt make more pieces using them. The last picture shows a small sample of what I was given. Hope you like what I've done with the fabric, and again, please click on the photos if you'd like a larger view.

Saturday, September 17, 2011

My Chinese New Year Necklace

Growing up in Hong Kong, I have very fond memories of Chinese New Year. Since our family migrated to Australia twenty odd years ago, I've only been back during Chinese New Year once, and that was the beginning of this year. We celebrated Chinese New Year's Eve with my best friend, her daughters and my cousin by going to the New Year's Night Markets. The place was absolutely chock-a-block full of people, and the vendors were selling all kinds of festive food, fresh flowers and knick-knacks. It was noisy, exciting and fun, and the air was full of the aroma of food I loved. Traditionally, during Chinese New Year, every household would have a Togetherness Tray in which various confectioneries and snacks would be placed, and visitors would be served tea together with the food. I bought one of those trays when I got married, but as you can see in the photos, it looks rather new as I have rarely used it. Chinese New Year is just not the same here in Sydney. Anyhow, I decided to make a necklace to celebrate all these sweet memories of Chinese New Year. The main cabs were made with polymer clay covered by washi paper and coated with resin. I also made the flower-shaped metal pendants with bronze clay, and set a couple of small cubic zirconium in them. The small side pendants with faux pearls are vintage buttons. The necklace is actually longer in real life; I tucked it up at the back for photo purpose. I plan to wear this to work here next year on Chinese New Year's Day, unless I am in Hong Kong again at that time, in which case I may wear it to watch the fireworks over Victoria Harbour..... Please click on the photos if you would like a larger view.

Friday, August 19, 2011

Gothic Bronze Clay and Amber Pendant

This is a piece I've been working on for a few weeks. I was in Krakow late last year, and bought some beautiful Baltic amber beads and cabochons. Have been wanting to use them in my creations for a while. Anyhow, got out my bronze clay which has been sitting in the fridge for a few months, and started playing with it. Then decided that I'd carve a stamp out of a carving block to texture the base of the superficial part of the pendant. The pendant was hand moulded with bronze clay and made in two parts, with bits of wire at the back of both pieces which I then used to wire them and the beads together and "sandwich" the beads in between. I used moulds to make the skull and beast head. The beast didn't have very obvious lower fangs originally, so I did a little "dental work" for him by sticking two rice-shaped pieces of clay to the lower part of the mouth, and filed, sanded and sharpened them to make the fangs. Also set a couple of olivine cubic zirconia into the pendant. and added a patina to the finished piece with liver of sulphur and Gilder's paste. Am really pleased with how it turns out. The beads in the pendant are amber and citrine, the drop is lemon quartz, and the necklace is made up of various beads including amber, Swarovski crystals and some cute little metal skull beads. The necklace is actually quite long - I had to tuck it up at the back of the bust for photo purposes. The pendant is also quite sparkly in real life because of those gorgeous faceted beads, the czs, and the high polish of parts of the bronze. I really LOVE working with bronze clay and have started on another couple more pieces, so, please watch this space!

Hope you like the piece and please click on the photos if you'd like a larger view.

Sunday, July 17, 2011

A Mixed Media Gothic Pendant Necklace

Every now and then I would go through a phase when all I want to make are dark and Gothic pieces. Anyhow, this is one I just finished. The main pendant is again one of my resin coated cabochons, which I painted on a white polymer clay base using water colours, acrylics and a little Twinkling H2O, and added some collage elements. The little skulls and Gothic man face were made from black polymer clay and coloured with acrylics and Gilder's paste. The spider web shaped thingy and blue rose were raw brass stampings, similarly coloured with acrylics and Gilder's paste. Added some crystals, lace, beads and chains etc to make up the rest of the necklace. It was fun doing it and I'm quite pleased with how it turns out. I may even wear it to work one day with an all black outfit just to shock everyone, LOL! I have made another Gothic cab in a different colour scheme. Will turn it into a necklace when I have time. Please click on the photos if you'd like a larger view.

Friday, May 13, 2011

Vintage Rose - My first etched copper pendant

I've been wanting to try etching metals for a while, and finally, I did it. I freehand drew a rose on a copper plate with a paint pen, set it with a heat gun, then etched it with an electro-etching system. The pattern didn't come out totally smooth, but I actually quite like it like that - gives it a more "weathered" vintage feel. Added a patina with liver of sulphur and Gilder's paste, and stuck it onto a filigree piece. Teamed it with an oblong stone cabochon, Swarovski crystals, more filigree stampings and beaded components. It was really quite fun to do. When I have time, I want to try etching bronze and copper clay pieces - now that would be so cool! Hope you like, and please click on the photos if you'd like a larger view.

Monday, April 25, 2011

Washi Paper Pendant with Amazonite Beads

This is a necklace I finished last weekend. The main cab is another one of those washi paper-polymer-clay-resin cabs I made a while ago. I loved the pattern of the paper, but wasn't sure what to team it with as the colours were rather bright. Anyhow, my birthday was a couple of months ago, and as my Mum was sick and in hospital at the time, we didn't celebrate or do anything at all. Then a few weeks ago I got an email from a local gemstone retailer that they're having a store wide 50% discount, so I thought I'd ask my husband to buy me some gemmies as birthday present. Went there last week and had a FANTABULOUS time. Amongst the things I bought were these gorgeous amazonite rhondelles (the large pale blue ones in the photos), and immediately, I thought of my washi paper cab. Added some seed beads, turquoise coloured howlite and Czech firepolished beads, brass stampings, and chains.

I wanted the necklace to have an antique Oriental feel, like something that might have been worn by a young woman from a wealthy family in Beijing, whose father worked as an advisor to the Emperor in the Ching Dynasty (me day-dreaming away here...). One day, the Emperor's advisor was invited to attend a state function at the palace, and he took his wife and beautiful daughter with him. Whilst the men were waiting for the Emperor in the main hall, the ladies were led to meet and pay their respect to the queen and the numerous concubines in the royal garden of the Forbidden City. On their way there, they bumped into the Emperor's procession, and they immediately knelt down and bowed their heads. Being young and curious, the girl lifted her head ever so slightly to catch a glimpse of the Emperor, who was in his fifties. Their eyes met, and the Emperor was instantly mesmerised by her beauty. A few days later, the Emperor sent a Royal summon to the advisor's home, for the girl to be admitted into the palace to be a concubine. Unbeknown to her parents, the girl had already given her heart to a young scholar who worked for her father. To disobey the Emperor's order, however, would mean death not just to herself but her whole extended family, all those who shared the same surname. She was utterly broken hearted but had no choice. The night before she was taken to the palace, she wrote a letter to the love of her life, explaining that she had to sacrifice herself for the sake of her family, but her love towards him would never end. She gave the letter to her maid, together with her favourite necklace, and asked her to smuggle them out of her guarded home and give them to the young scholar. "Tell him" she said to the maid, "to put this necklace close to his heart. As long as it's with him, I'll know that his love for me has not died. In our next life, and many more lives to come, I'll search for the necklace, and I'll find him wherever he is in the whole world. It's a symbol of our ever lasting love......."

The necklace is actually longer but I tucked it up at the back for photo purpose. Hope you like. Again, please click on the photos if you'd like a larger view.

Saturday, April 16, 2011

A Mixed Media Lady Brooch named Miriam

I was asked recently by a customer at our fundraiser if I made brooches, and it daunted on me that I very seldom did. Anyhow, thought I would do some, and this is one I just finished yesterday. The main cabochon is again one of my mixed media art deco lady cabs which I painted on a white polymer clay base, added bits and pieces, then covered with resin. I just love making these cabs and have a little collection of them, so there'll probably be more of them coming in different names and forms. (Hope you're not sick of them by now.) The brass leaf was aged with Gilder's pastes. Miriam actually has shimmering golden eyeshadow (I used a little Twinkling H2O water colours) but I couldn't capture that in the photos. Hope you like her.